Editorial Wedding Series — Between Love & Dystopia
An artistic vision of wedding photography by Florine Jeannot
Some love stories bloom in plain sight. Others unfold between the lines of imagined worlds.
For over ten years, I’ve been telling stories of love through my lens, but this series is a journey. An exploration. A vision. One that dares to push the boundaries of reality.
Through these photographs, I bridge the world of weddings with the languages of cinema, fashion, brutalist architecture, and speculative fiction.
Each image is a temporal rift. Each couple, a mystery. Each location, a character in its own right.
In 2022, the first series of this artistic project was awarded Gold at the PX3 — Prix de la Photographie de Paris, under the Portrait category, judged by an exceptional jury.
This recognition anchored my conviction: wedding photography can be a space of narrative, emotion and experimentation.
This collection is a cinematic odyssey. A constellation of imagined futures where love is the constant, fragile, magnetic, or defiant.
Each scene evokes a suspended world, drawn from the realms of dream and cinema, where the ritual of union is re-enchanted.
SERIES I — INTERDIMENSIONAL wedding
Two lovers. Two dimensions.
One dark, one luminous. They navigate the tension between opposing realms in a futuristic, panoptic architecture.
Their union is a force of gravity, delicate and electrifying. In this suspended narrative, love becomes a bridge between timelines.
I drew inspiration from cinematic visions where design becomes destiny. The color palettes are intentional. The gestures restrained. A minimalist, yet immersive aesthetic where each frame holds silence and story.
Dune (D.Villeneuve), Gattaca (Niccol), Squid Game (Hwang), and A.I. (Spielberg) were guiding lights.
Filmed in a structure echoing surveillance and solitude, every corner was chosen to echo the dissonance of a fractured world and the impossible beauty of connection within it.
Photographer & Art Director: @florinejeannotphotographer
Dress: @rimearodaky
Costume: @samsonsurmesure
Makeup: @fgmaquillage
Florist: @audreylevite_designerfloral
Bride: @mbrumart
Groom : Romain
Earrings: @annelise_pichon
Venues
Parking des Célestins @lpa_mobilites
@radissonblulyon
Scenography: @florinejeannotphotographer
Tableware & decoration: @bouchara.officiel
2021
SERIES II — AGARTHA
Three brides drift through an otherworldly cathedral the aquarium.
A subaquatic temple, where sharks float as silent witnesses, and jellyfish swirl like floating prayers. There is magic here, a tender, alien grace.
This dream was born from a childhood fascination. Aquariums always felt suspended to me. I wanted to capture the hush of the water, the surreal poise of light moving through glass, the strange calm that feels like love in its most vulnerable form.
Photographer & Art Director: @florinejeannotphotographer
Venue : @aquarium_lyon
Dresses : @maisonmaelie
Mua : @fgmaquillage
Models : @emmajbas
@melinoschka
@valentine_2109
Flowers : @audreylevite_designerfloral
Wedding planner : @mon.coeur.fait.boum
Jewelry : @atelier.maerl
2022
SERIES III — relic of a future past.
A monolithic museum rises from the hill, its raw concrete arteries buried beneath the earth.
The Lugdunum Museum is a relic of the future, envisioned in the 1960s by architect Bernard Zehrfuss as a brutalist homage to Roman Lyon. A place where memory lives in matter.
Here, a lone bride walks among the relics, her silhouette striking against the hard lines. Rose-pink hair, a simple dress, an echo of life in an architecture that feels post-human.
There are no guests, no adornments, no opulence, just the confrontation between flesh and form, solitude and space.
This is a departure from wedding tradition. An ode to texture, silence, and presence. In these massive, geometric forms, love isn’t ornamental, it’s existential.
Photographer and artistic director : @florinejeannotphotographer
Co-artistic direction / stylism / MUA : @yo_hanna_
Model : @winvi.c
Venue : @lugdunummtr
2023
SERIES IV — SACRED DUNE
In the belly of ochre, an ode to precision.
Carved by hand, these ochre galleries whisper a story of patience — of gestures repeated with devotion, of time folded into pigment and stone. Every curve, every shadow holds the weight of a forgotten rhythm.
This is the kind of presence I search for through my lens: cinematic, almost sacred. More than a shoot — a relic of feeling.
I was thinking of Dune. Of burning sands and mineral winds. Of those suspended worlds where light doesn’t just illuminate, it sculpts. I wanted vastness. Stillness. A bride like a mirage — both anchored and untouchable.
And it’s a whole team who brought this vision to life, with the same care and quiet strength as those who once shaped these walls.
Photographer and artistic director : @florinejeannotphotographer
Dress — @alma__real
Décor — @alicemddeco
Jewels — @maisonsalvat
Stationery — @ladernieretouche.event
Beauty — @cloe_mua
Film — @erwanserra
Model — @arianenguyen
Venue : Mines de Bruoux — @mines_de_bruoux
2025
